Italian
1449-1494
Domenico Ghirlandaio Galleries
Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation Related Paintings of Domenico Ghirlandaio :. | St Barbara Crushing her Infidel Father, with a Kneeling Donor | The Suicide of Lucrezia | The adoration of the Konige | The Visitation (mk05) | Portrait of an Old Man with a Young Boy (mk05) | Related Artists:
Sir Frank Dicksee1853-1928
English
Sir Frank Dicksee Location
English painter and illustrator. He studied in the studio of his father, Thomas Francis Dicksee (1819-95), who painted portraits and historical genre scenes; he then entered the Royal Academy Schools, London, where he was granted a studentship in 1871. He won a silver medal for drawing from the Antique in 1872 and a gold medal in 1875 for his painting Elijah confronting Ahab and Jezebel in Naboth Vineyard (untraced), with which he made his debut at the Royal Academy in 1876. He also began to work as an illustrator during the 1870s, contributing to Cassell Magazine, Cornhill Magazine, The Graphic and other periodicals. During the 1880s he was commissioned by Cassell & Co. to illustrate their editions of Longfellow Evangeline (1882), Shakespeare Othello (1890) and Romeo and Juliet (1884).
Henry Mark Anthony(4 August 1817 - 1 December 1886) was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the en plein air style of painting to Britain.
John William Casilear (June 25, 1811 - August 17, 1893) was an American landscape artist belonging to the Hudson River School.
Casilear was born in New York City. His first professional training was under prominent New York engraver Peter Maverick in the 1820s, then with Asher Durand, himself an engraver at the time. Casilear and Durand became friends, and both worked as engravers in New York through the 1830s.
By the middle 1830s Durand had become interested in landscape painting through his friendship with Thomas Cole. Durand, in turn, drew Casilear's attention to painting. By 1840 Casilear's interest in art was sufficiently strong to accompany Durand, John Frederick Kensett, and artist Thomas P. Rossiter on a European trip during which they sketched scenes, visited art museums, and fostered their interest in painting.
Casilear gradually developed his talent in landscape art, painting in the style that was later to become known as the Hudson River School. By the middle 1850s he had entirely ceased his engraving career in favor of painting full-time. He was elected a full member of the National Academy of Design in 1851, having been an associate member since 1831, and exhibited his works there for over fifty years.
Casilear died in Saratoga Springs, New York in 1893.